Naomi Long Madgett
“I was responsible for publishing seventy-six titles,
and would you believe it? I think I have
counted fifteen poets at this conference who have at least one book
published by Lotus Press.”

Writer, editor, teacher, and publisher, Naomi Long Madgett has been the moving force behind Lotus Press, Inc., the leading publisher of distinguished poetry by African Americans. Responsible for the publication of seventy-five titles, she became senior editor of the Lotus Poetry Series of Michigan State University Press in 1993. An award-winning poet in her own right, Madgett has published seven collections of poetry including Pink Ladies in the Afternoon (1972, 1990), Exits and Entrances (1978), Phantom Nightingale: Juvenilia (1981), and Octavia and Other Poems (1988) which was national co-winner of the College Language Association Creative Achievement Award. Black Scholar Magazine gave her the Award of Excellence in 1992, and in 1993 the Hilton-Long Poetry Foundation offered its first annual Naomi Long Madgett Poetry Award for excellence in a manuscript by an African American poet. Madgett’s poems have been included in well over one hundred anthologies in this country and abroad and have been translated into several languages. Madgett was named Detroit Poet Laureate in 2001, and was the recipient of multiple awards, such as the Michigan Artist Award, an American Book Award from the Before Columbus Foundation, a George Kent Award, and recognition in the Michigan Women’s Hall of Fame. In 2012, David B. Schock released the documentary film Star by Star: Naomi Long Madgett, Poet & Publisher.
Featured Poems
“Reluctant Light”
“Phillis”
Interviews, Talks, and Readings
/ Naomi Long Madgett reads “Reluctant Light”
Reluctant
Mother, I didn’t mean to
it
You hid your energy in shadows
and I was dazzled by the sun.
I
whose words rejuvenated epics of the ages. Some fine June Sundays,
slender and magnificent in morning coat,
with eloquent pronouncements of doom and glory so divine
the very gates of heaven seemed to part, bathing the atmosphere in crystal light.
earning the childhood name of Preacher, shortened in time to Prete.
a choir’s
You baked the bread for which we seldom thanked you,
canned pears for winter and
scrubbing sheets on a washboard, humming hymns to lift your sagging spirit,
and cultivating beauty in endless flower pots.
The summer when he toured the streets of ancient Palestine and Rome,
you consoled yourself by painting pictures of the
using the kitchen table for an easel.
You coached me with my homework, rejoiced
in my small triumphs and prepared me to confront
tapping your umbrella against
your subtle power that led me through blind, airless caves,
your quiet elegance that taught me dignity – nor could I know
rebelled against your
But I have walked through my own shadows and, like you,
transcended glitter. I have learned
that I am source and substance of a different kind of light.
that I have deepened to your wisdom, softened
to your easy grace, I
in that court of
/ Naomi Long Madgett reads “Phillis”
I hardly remember my mother’s face
But I still feel
At my bosom a
Stirring strange longings for the
I used to lean against for warmth and comfort
when I had grown too tall to
And I am blinded by
The glint of sunlight
Striking
Of seafoamed rocks below me
On some island not too far from
After that, the only light I saw
Was a few wayward
That somehow slanted into the
In that new putrid helltrap of the dead
And dying, the stench
Mingled with the queasy motion
Of the
I do not know how many weeks or months
I neither thought nor felt, but I awoke
One night – or day, perhaps –
Revived by consciousness of sound.
I heard
The pounding of the waves against the shipside
And made believe its
Summoning in acute need the spirit
Of my ancestors. I dreamed I saw
Their
In ceremonial
Their voices thundering an answer
To my
Once more the sunlight came,
As I remembered it.
Now it sat silver-cold
Upon the indifferent
Still It was good to see the sun at all.
And it was something
To find myself the
Of a
A toy, a curiosity,
After
As I grew older, it was not enough.
The native lifesong once against burst free,
Urged me to match the tribal rhythms
That had so long sustained me, that must
sustain me still. I learned to sing
A dual song:
For they instructed me to live, not die.
“Grief cannot compensate for what is lost,”
They told me. “Win, and never mind the cost.
Show to the world the face the world would see:
Be slave, be pet, conceal your Self – but be.”
Lurking behind the
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