1. The Cane Fields

 

There is a parrot imitating spring

in the palace, its feathers parsley green.   

Out of the swamp the cane appears

 

to haunt us, and we cut it down. El General   

searches for a word; he is all the world   

there is. Like a parrot imitating spring,

 

we lie down screaming as rain punches through   

and we come up green. We cannot speak an R—

out of the swamp, the cane appears

 

and then the mountain we call in whispers Katalina.

The children gnaw their teeth to arrowheads.   

There is a parrot imitating spring.

 

El General has found his word: perejil.

Who says it, lives. He laughs, teeth shining   

out of the swamp. The cane appears

 

in our dreams, lashed by wind and streaming.   

And we lie down. For every drop of blood   

there is a parrot imitating spring.

Out of the swamp the cane appears.

 

2. The Palace

 

The word the general’s chosen is parsley.   

It is fall, when thoughts turn

to love and death; the general thinks

of his mother, how she died in the fall

and he planted her walking cane at the grave   

and it flowered, each spring stolidly forming   

four-star blossoms. The general

 

pulls on his boots, he stomps to

her room in the palace, the one without   

curtains, the one with a parrot

in a brass ring. As he paces he wonders   

Who can I kill today. And for a moment   

the little knot of screams

is still. The parrot, who has traveled

 

all the way from Australia in an ivory   

cage, is, coy as a widow, practising   

spring. Ever since the morning   

his mother collapsed in the kitchen  

while baking skull-shaped candies   

for the Day of the Dead, the general   

has hated sweets. He orders pastries   

brought up for the bird; they arrive

 

dusted with sugar on a bed of lace.   

The knot in his throat starts to twitch;   

he sees his boots the first day in battle   

splashed with mud and urine

as a soldier falls at his feet amazed—

how stupid he looked!— at the sound

of artillery. I never thought it would sing   

the soldier said, and died. Now

 

the general sees the fields of sugar   

cane, lashed by rain and streaming.   

He sees his mother’s smile, the teeth   

gnawed to arrowheads. He hears   

the Haitians sing without R’s

as they swing the great machetes:   

Katalina, they sing, Katalina,

 

mi madle, mi amol en muelte. God knows   

his mother was no stupid woman; she   

could roll an R like a queen. Even   

a parrot can roll an R! In the bare room   

the bright feathers arch in a parody   

of greenery, as the last pale crumbs

disappear under the blackened tongue. Someone

 

calls out his name in a voice

so like his mother’s, a startled tear

splashes the tip of his right boot.

My mother, my love in death. 

The general remembers the tiny green sprigs   

men of his village wore in their capes   

to honor the birth of a son. He will

order many, this time, to be killed

 

for a single, beautiful word.