Toi Derricotte
“I like to talk about things that are unseen,
and often unwanted, and ‘bad.’
I think it’s about reclaiming things that have been used against
us and taken away from us.”

A poet, memoirist and educator, at the time of the 1994 Conference, Toi Derricotte had written three books: The Empress of the Death House (1978); Natural Birth (1983); and Captivity (1989). Since then, she has authored a memoir, The Black Notebooks (1997), as well as the collections Tender (1997), The Undertaker’s Daughter(2011), and more recently I: New and Selected Poems (2019). Derricotte is the recipient of two fellowships from National Endowment for the Arts (NEA), two Pushcart Prizes, a Guggenheim Fellowship, the Lucille Medwick Memorial Award from the Poetry Society of America, a Folger Shakespeare Library Poetry Book Award, the Paterson Poetry Prize for Sustained Literary Achievement, and the PEN/Voelcker Award for Poetry. Derricotte’s work has been published in a number of journals, including Callaloo, The New Yorker, The Paris Review, New England Review, and American Poetry Review. In 1996, she co-founded the Cave Canem Foundation with Cornelius Eady to cultivate and highlight African-American poetry. In 2009, Derricotte was recognized as a Distinguished Daughter of Pennsylvania.
Featured Poems
“Coming”
“Clitoris”



Interviews, Talks, and Readings
/ Toi Derricotte reads “Coming”
Coming
it, and
and wondering
if it is right
to
if he is
the one
stuck there,
of wondering! that bad
taste in your mouth.
than an ordinary
husband, the evolution of repressed
desire wearing
a gold ring.
“What is
love,” I ask
a buddy over
lunch,
for forty years. “Well,”
she waffles,
/ Toi Derricotte reads “Clitoris”
Clitoris
from the
I lift the skin like the layers of
Related Links
Interactive Program Day I